Contrapposto Studies, i through vii, 2015/2016 (still)
Born in Fort Wayne, Indiana in 1941, Bruce Nauman received his BS from the University of Wisconsin, Madison (1964) and his MFA from the University of California, Davis (1966). Nauman is widely regarded as among the most important living American artists and as a catalyst for the shift in international artistic practice toward conceptual and performative uses of language and the body. Since his first solo gallery show in 1966, Nauman has been the subject of many notable museum exhibitions, including a survey organized by the Los Angeles County Museum of Art and the Whitney Museum of American Art (1972-73) and a survey at the Whitechapel Art Gallery, London in collaboration with the Kunsthalle Basel and the Musée d’Art Moderne de la Ville de Paris (1986-87). A major retrospective, co-organized by the Walker Art Center and the Hirshhorn Museum, opened at the Museo Nacional Centro de Arte Reina Sofia, Madrid, and travelled to the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; and Kunsthaus Zurich (1993-95). Other important solo exhibitions include “Raw Materials,” commissioned for Tate Modern’s Turbine Hall (2004); “A Rose Has No Teeth: Bruce Nauman in the 1960s” at the Berkeley Art Museum, Castello di Rivoli, and Menil Collection (2007-08); and “Bruce Nauman” at the Fondation Cartier (2015). “Bruce Nauman: Disappearing Acts,” a comprehensive retrospective, debuted at Schaulager, Basel (2018) and traveled to The Museum of Modern Art, New York and MoMA P.S.1 (2018-19). In 2020, Tate presented a survey that traveled to the Stedelijk Museum, Amsterdam (2021); M Woods, Beijing (2022); and Pirelli HangarBicocca, Milan (2022-23). Other recent exhibitions include “Bruce Nauman: Contrapposto Studies” at Palazzo Grassi – Punta della Dogana, Venice (2021-22); “His Mark” at SITE Santa Fe, NM (2023); and “Bruce Nauman” at Tai Kwun Contemporary, Hong Kong (2024). Nauman received the Wolf Foundation Prize in Arts in 1993, the Wexner Prize in 1994, the Golden Lion at the 48th Venice Biennale in 1999, and the Praemium Imperiale in 2004 in Japan. Nauman represented the United States at the 2009 Venice Biennale; the pavilion was awarded the Golden Lion for Best National Participation. Nauman was the 2014 laureate of the Austrian Frederick Kiesler Prize. Since his first exhibition at Sperone Westwater in 1976, Nauman has exhibited regularly at the gallery (1982, 1984, 1988, 1989, 1990, 1996, 2002, 2008, 2010, 2013, 2016, 2020, 2022 and 2024).
Bruce Nauman
His Mark, 2021
six 4K 60fps 3D projections (color, stereo sound), continuous play
114 x 203 inches (289,6 x 515,6 cm) each projection
SW 22000
Bruce Nauman
Spider, 2021
4K 60fps 3D projection (color, stereo sound), continuous play
projection size: 123 x 74 inches (312,4 x 188 cm) as installed
2:45 minutes
edition of 5
SW 22001
Bruce Nauman
Nature Morte, 2020 (still)
three 4K video projections and three servers controlled by three iPad Pro 11”, 3D scans of studio
dimensions variable
SW 20042
Bruce Nauman
Walking a Line, 2019
4K 120fps 3D projection (color, stereo sound), continuous play
projection size: 114 x 203 inches (289,5 x 515,6 cm)
15 minutes 46 seconds
SW 20043
Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)
SW 18047
Bruce Nauman
Contrapposto Split, 2017
4K 120fps 3D projection (color, stereo sound), continuous play
projection size: 114 x 203 inches (289,5 x 515,6 cm)
SW 18013
Collection of Glenstone Museum, Potomac, MD
Installation view: "Bruce Nauman: Disappearing Acts," 17 March to 26 August 2018, Schaulager® Münchenstein/Basel, photo: Tom Bisig, Basel
Bruce Nauman
Contrapposto Studies, i through vii, 2015/2016
HD video installation (color, stereo sound, continuous play)
seven HD video sources, seven HD video projectors, seven sets of speakers
SW 16143
Collection of The Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, Basel
Bruce Nauman
Contrapposto Studies, I through VII, 2015/2016
HD video installation (color, stereo sound, continuous play)
seven HD video sources, seven HD video projectors, seven sets of speakers
SW 16144
Jointly owned by Pinault Collection and the Philadelphia Museum of Art
Bruce Nauman
Pencil Lift/Mr. Rogers, 2013
HD video installation (color, mono sound, continuous play, asynchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
Pencil Lift: 3 minutes 57 seconds
Mr. Rogers: 46 seconds (full length of loop: 30 minutes, 1 second)
SW 13350
Bruce Nauman
Thumb Start, 2013
HD video installation (color, mono sound, continuous play, synchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
4 minutes 21 seconds
SW 13351
Bruce Nauman
4th Finger Start, 2013
HD video installation (color, mono sound, continuous play, synchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
5 minutes 37 seconds
SW 13352
Bruce Nauman
Bullet Illusion/Pencil Illusion, 2013
HD video installation (color, mono sound, continuous play, asynchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
Bullet Illusion: 1 minute 10 seconds
Pencil Illusion:1 minute 5 seconds
SW 13353
Bruce Nauman
For Beginners (all the combinations of thumb and fingers), 2010
HD video installation (color, stereo sound), continuous play
2 HD video sources, 2 HD video projectors, 4 speakers
dimensions variable
SW 10313a-b
Collection of the Los Angeles County Museum of Art and Pinault Collection
Bruce Nauman
Studio Mix, 2010
HD video installation (color, stereo sound)
1 HD video source, 1 HD video projector, 1 suspended rear projection panel, 2 hidden speakers
edition of 3
SW 10316
Collection of the Modern Art Museum of Fort Worth
Bruce Nauman
Cones Cojones, 1973-75
installation and text
installation: masking tape (1 1/2 and 2 inch wide tape required for installation)
diameter 312 inches (792,5 cm)
Text:
"Cones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
"Cojones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
SW 98240
Collection of the Museum of Modern Art, New York
Bruce Nauman
Cones Cojones, 1973-75
installation and text
installation: masking tape (1 1/2 and 2 inch wide tape required for installation)
diameter 312 inches (792,5 cm)
Text:
"Cones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
"Cojones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
SW 98240
Collection of the Museum of Modern Art, New York
Bruce Nauman
Untitled (Study for Installation with Yellow Lights (Castelli Installation with Yellow Lights)), 1971
graphite and colored pencil on paper
18 x 24 inches (45,7 x 61 cm)
20 5/8 x 26 5/8 inches (52,4 x 67,6 cm) frame
SW 97296
Bruce Nauman
Untitled (Study for Model for Underground Space: Saucer), 1968-72
graphite, chalk pastel and ink on paper
23 x 29 inches (58,4 x 73,7 cm)
25 5/8 x 31 5/8 inches (65 x 80 cm) frame
SW 97299
Bruce Nauman
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage), 2001
7 channel video installation (color, sound)
7 DVDs, 7 DVD players, 7 projectors, 7 pairs of speakers
05:45:00 min.
dimensions variable
SW 02001
Collection of Tate, London; Centre Pompidou, Musée national d'art moderne, Paris; and Kunstmuseum Basel
Bruce Nauman
OFFICE EDIT II with color shift, flip, flop, & flip/flop (Fat Chance John Cage) Mapping the Studio, 2001
DVD (color, sound)
51:44 min.
Edition of 6
SW 02158
Collection of the National Gallery of Australia
Bruce Nauman
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage) All Action Edit, 2001
7 channel video installation (color, sound)
7 DVDs, 7 DVD players, 7 projectors, 7 pairs of speakers
dimensions variable
SW 02160
Collection Walker Art Center, Minneapolis
Bruce Nauman
World Peace (Projected), 1996
5 video discs, 5 video projectors, 5 video disc players, 5 pairs of auxiliary speakers, 5 amplifiers, remote control, 6 utility carts
room size: 30 x 36 feet maximum
SW 96377
Collection of The Pinakothek der Moderne, Munich
Bruce Nauman
World Peace (Received), 1996
5 video discs, 5 monitors, 5 video disc players, 5 video switchers, remote control, stool, 6 utility carts
approximately 126 inches (320 cm) diameter
SW 96378
Collection of The Saint Louis Art Museum
Bruce Nauman
Fifteen Pairs of Hands, 1996
white bronze with painted steel base
15 parts; approximately 52 x 12 x 12 inches (132,1 x 30,5 x 30,5 cm) each
Artist Proof
SW 07162
Collection of Glenstone Museum, Potomac, MD
Bruce Nauman
All Thumbs, 1996
graphite and masking tape on paper
22 1/4 x 30 1/8 inches (56,5 x 76,5 cm)
24 1/4 x 32 inches (61,6 x 81,3 cm) frame
SW 96333
Private Collection
Bruce Nauman
Shadow Puppets and Instructed Mime, 1990
three wax heads, linen, wood, four color video monitors, four video projectors, six videotape players, six videotapes (color, sound)
dimensions variable
SW 90071
Collection of the Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel
Bruce Nauman
Seven Virtues/Seven Vices, 1983-84
limestone
7 parts; Prudence/Pride 23 3/4 x 75 x 2 3/8 inches (60,3 x 190,5 x 6 cm); Fortitude/Anger 23 3/4 x 80 3/4 x 2 3/8 inches (60,3 x 205,1 x 6 cm); Faith/Lust 23 3/4 x 47 1/4 x 2 3/8 inches (60,3 x 120 x 6 cm); Hope/Envy 23 3/4 x 47 1/4 x 2 3/8 inches (60,3 x 120 x 6 cm); Charity/Sloth 23 3/4 x 94 1/2 x 2 3/8 inches (60,3 x 240 x 6 cm); Temperance/Gluttony 23 3/4 x 94 1/2 x 2 3/8 inches (60,3 x 240 x 6 cm); Justice/Avarice 23 3/4 x 60 5/8 x 2 3/8 inches (60,3 x 154 x 6 cm)
SW 84107a-g
Collection of The Museum of Modern Art, New York
Bruce Nauman
Carousel (Stainless Steel Version), 1988
stainless steel, cast aluminium, polyurethane foam and wire
84 inches (213,4 cm) high; 216 inches (548,6 cm) diameter
SW 88249
Collection of Glenstone Museum, Potomac, MD
Bruce Nauman
Hanging Carousel (George Skins A Fox), 1988
steel, polyurethane foam, video monitor and videotape (color, sound)
204 inches (518,2 cm) diameter, suspended 74 1/2 inches (189,2 cm) above the floor
SW 88139
Collection of Museum of Contemporary Art Chicago
Bruce Nauman
White Anger, Red Danger, Yellow Peril, Black Death, 1984
steel, aluminum, cast iron, paint and wire
approximately 168 inches (426,7 cm) diameter
SW 84105
Collection of The Museum of Modern Art, New York
Bruce Nauman
South America Triangle, 1981
steel and cast iron
168 inches (426,7 cm)
SW 82009
Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Bruce Nauman
South America Circle, 1981
steel, cast iron, and wire
168 inches (426,7 cm)
SW 82008
Collection Dia Art Foundation
Bruce Nauman
Diamond Mind II, 1975
plaster for stone
15 x 15 x 15 inches (38,1 x 38,1 x 38,1 cm) each
SW 76267
Bruce Nauman
Double Steel Cage Piece, 1974
steel
84 x 162 x 198 inches (213,4 x 411,5 x 502,9 cm)
SW 76266
Collection of Museum Boymans-van Beuningen, Rotterdam, the Netherlands
Bruce Nauman
Studies for Holograms (a-e), 1970
portfolio of five screenprints
26 x 26 inches (66 x 66 cm) each sheet
(a) pinched lips, 100/150; (b) pulled lower lip, 42/150; (c) pinched cheeks, 71/150; (d) pulled neck, 1/150; (e) pulled lips, 1/150
SW 19328
InquireBruce Nauman
Raw-War, 1971
lithograph in colors on Arches
22 1/4 x 28 1/4 inches (56,5 x 71,8 cm)
24 1/4 x 30 inches (61,6 x 76 cm) frame
edition 13/100
SW 04291.13
InquireBruce Nauman
Malice, 1980
lithograph
29 1/2 x 41 1/4 inches (74,9 x 104,8 cm)
35 x 46 3/4 inches (88,9 x 118,7 cm) frame
edition 44/75
SW 83129.44
InquireBruce Nauman
Clown Taking a Shit, 1988
lithograph in colors, on Transpagra paper
42 x 30 inches (106,7 x 76,2 cm)
51 1/4 x 39 inches (130 x 99 cm) frame
edition 31/35
SW 95369.31
InquireBruce Nauman
Frankfurt Portfolio, 1990
offset lithograph
four parts; 19 1/8 x 13 1/4 inches (48,5 x 34 cm) each
30 x 21 3/4 x 1/2 inches (76 x 55,2 x 1,3 cm) each frame
edition 6/35
SW 17340a-d.6
InquireBruce Nauman
Infrared Outtakes (Cockeye Lips, Neck Pull, Hands Only, Opened Eye), 1968/2006
Epson Ultrachrome K3 inkjet prints
four parts; 19 x 28 inches (48,3 x 71,1 cm) each
22 1/2 x 31 1/2 inches (57,2 x 80 cm) each frame
edition 20/60
SW 06362a-d
Bruce Nauman
His Mark, 2021
six 4K 60fps 3D projections (color, stereo sound), continuous play
114 x 203 inches (289,6 x 515,6 cm) each projection
SW 22000
Bruce Nauman
Spider, 2021
4K 60fps 3D projection (color, stereo sound), continuous play
projection size: 123 x 74 inches (312,4 x 188 cm) as installed
2:45 minutes
edition of 5
SW 22001
Bruce Nauman
Nature Morte, 2020 (still)
three 4K video projections and three servers controlled by three iPad Pro 11”, 3D scans of studio
dimensions variable
SW 20042
Bruce Nauman
Walking a Line, 2019
4K 120fps 3D projection (color, stereo sound), continuous play
projection size: 114 x 203 inches (289,5 x 515,6 cm)
15 minutes 46 seconds
SW 20043
Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)
SW 18047
Bruce Nauman
Contrapposto Split, 2017
4K 120fps 3D projection (color, stereo sound), continuous play
projection size: 114 x 203 inches (289,5 x 515,6 cm)
SW 18013
Collection of Glenstone Museum, Potomac, MD
Installation view: "Bruce Nauman: Disappearing Acts," 17 March to 26 August 2018, Schaulager® Münchenstein/Basel, photo: Tom Bisig, Basel
Bruce Nauman
Contrapposto Studies, i through vii, 2015/2016
HD video installation (color, stereo sound, continuous play)
seven HD video sources, seven HD video projectors, seven sets of speakers
SW 16143
Collection of The Museum of Modern Art, New York, and Emanuel Hoffmann Foundation, Basel
Bruce Nauman
Contrapposto Studies, I through VII, 2015/2016
HD video installation (color, stereo sound, continuous play)
seven HD video sources, seven HD video projectors, seven sets of speakers
SW 16144
Jointly owned by Pinault Collection and the Philadelphia Museum of Art
Bruce Nauman
Pencil Lift/Mr. Rogers, 2013
HD video installation (color, mono sound, continuous play, asynchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
Pencil Lift: 3 minutes 57 seconds
Mr. Rogers: 46 seconds (full length of loop: 30 minutes, 1 second)
SW 13350
Bruce Nauman
Thumb Start, 2013
HD video installation (color, mono sound, continuous play, synchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
4 minutes 21 seconds
SW 13351
Bruce Nauman
4th Finger Start, 2013
HD video installation (color, mono sound, continuous play, synchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
5 minutes 37 seconds
SW 13352
Bruce Nauman
Bullet Illusion/Pencil Illusion, 2013
HD video installation (color, mono sound, continuous play, asynchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers
Bullet Illusion: 1 minute 10 seconds
Pencil Illusion:1 minute 5 seconds
SW 13353
Bruce Nauman
For Beginners (all the combinations of thumb and fingers), 2010
HD video installation (color, stereo sound), continuous play
2 HD video sources, 2 HD video projectors, 4 speakers
dimensions variable
SW 10313a-b
Collection of the Los Angeles County Museum of Art and Pinault Collection
Bruce Nauman
Studio Mix, 2010
HD video installation (color, stereo sound)
1 HD video source, 1 HD video projector, 1 suspended rear projection panel, 2 hidden speakers
edition of 3
SW 10316
Collection of the Modern Art Museum of Fort Worth
Bruce Nauman
Cones Cojones, 1973-75
installation and text
installation: masking tape (1 1/2 and 2 inch wide tape required for installation)
diameter 312 inches (792,5 cm)
Text:
"Cones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
"Cojones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
SW 98240
Collection of the Museum of Modern Art, New York
Bruce Nauman
Cones Cojones, 1973-75
installation and text
installation: masking tape (1 1/2 and 2 inch wide tape required for installation)
diameter 312 inches (792,5 cm)
Text:
"Cones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
"Cojones," 1974
collage with typedwritten text and graphite on paper
39 15/16 x 25 15/16 inches (101,4 x 65,9 cm)
43 x 29 inches (109,2 x 73,7 cm) frame
SW 98240
Collection of the Museum of Modern Art, New York
Bruce Nauman
Untitled (Study for Installation with Yellow Lights (Castelli Installation with Yellow Lights)), 1971
graphite and colored pencil on paper
18 x 24 inches (45,7 x 61 cm)
20 5/8 x 26 5/8 inches (52,4 x 67,6 cm) frame
SW 97296
Bruce Nauman
Untitled (Study for Model for Underground Space: Saucer), 1968-72
graphite, chalk pastel and ink on paper
23 x 29 inches (58,4 x 73,7 cm)
25 5/8 x 31 5/8 inches (65 x 80 cm) frame
SW 97299
Bruce Nauman
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage), 2001
7 channel video installation (color, sound)
7 DVDs, 7 DVD players, 7 projectors, 7 pairs of speakers
05:45:00 min.
dimensions variable
SW 02001
Collection of Tate, London; Centre Pompidou, Musée national d'art moderne, Paris; and Kunstmuseum Basel
Bruce Nauman
OFFICE EDIT II with color shift, flip, flop, & flip/flop (Fat Chance John Cage) Mapping the Studio, 2001
DVD (color, sound)
51:44 min.
Edition of 6
SW 02158
Collection of the National Gallery of Australia
Bruce Nauman
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage) All Action Edit, 2001
7 channel video installation (color, sound)
7 DVDs, 7 DVD players, 7 projectors, 7 pairs of speakers
dimensions variable
SW 02160
Collection Walker Art Center, Minneapolis
Bruce Nauman
World Peace (Projected), 1996
5 video discs, 5 video projectors, 5 video disc players, 5 pairs of auxiliary speakers, 5 amplifiers, remote control, 6 utility carts
room size: 30 x 36 feet maximum
SW 96377
Collection of The Pinakothek der Moderne, Munich
Bruce Nauman
World Peace (Received), 1996
5 video discs, 5 monitors, 5 video disc players, 5 video switchers, remote control, stool, 6 utility carts
approximately 126 inches (320 cm) diameter
SW 96378
Collection of The Saint Louis Art Museum
Bruce Nauman
Fifteen Pairs of Hands, 1996
white bronze with painted steel base
15 parts; approximately 52 x 12 x 12 inches (132,1 x 30,5 x 30,5 cm) each
Artist Proof
SW 07162
Collection of Glenstone Museum, Potomac, MD
Bruce Nauman
All Thumbs, 1996
graphite and masking tape on paper
22 1/4 x 30 1/8 inches (56,5 x 76,5 cm)
24 1/4 x 32 inches (61,6 x 81,3 cm) frame
SW 96333
Private Collection
Bruce Nauman
Shadow Puppets and Instructed Mime, 1990
three wax heads, linen, wood, four color video monitors, four video projectors, six videotape players, six videotapes (color, sound)
dimensions variable
SW 90071
Collection of the Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel
Bruce Nauman
Seven Virtues/Seven Vices, 1983-84
limestone
7 parts; Prudence/Pride 23 3/4 x 75 x 2 3/8 inches (60,3 x 190,5 x 6 cm); Fortitude/Anger 23 3/4 x 80 3/4 x 2 3/8 inches (60,3 x 205,1 x 6 cm); Faith/Lust 23 3/4 x 47 1/4 x 2 3/8 inches (60,3 x 120 x 6 cm); Hope/Envy 23 3/4 x 47 1/4 x 2 3/8 inches (60,3 x 120 x 6 cm); Charity/Sloth 23 3/4 x 94 1/2 x 2 3/8 inches (60,3 x 240 x 6 cm); Temperance/Gluttony 23 3/4 x 94 1/2 x 2 3/8 inches (60,3 x 240 x 6 cm); Justice/Avarice 23 3/4 x 60 5/8 x 2 3/8 inches (60,3 x 154 x 6 cm)
SW 84107a-g
Collection of The Museum of Modern Art, New York
Bruce Nauman
Carousel (Stainless Steel Version), 1988
stainless steel, cast aluminium, polyurethane foam and wire
84 inches (213,4 cm) high; 216 inches (548,6 cm) diameter
SW 88249
Collection of Glenstone Museum, Potomac, MD
Bruce Nauman
Hanging Carousel (George Skins A Fox), 1988
steel, polyurethane foam, video monitor and videotape (color, sound)
204 inches (518,2 cm) diameter, suspended 74 1/2 inches (189,2 cm) above the floor
SW 88139
Collection of Museum of Contemporary Art Chicago
Bruce Nauman
White Anger, Red Danger, Yellow Peril, Black Death, 1984
steel, aluminum, cast iron, paint and wire
approximately 168 inches (426,7 cm) diameter
SW 84105
Collection of The Museum of Modern Art, New York
Bruce Nauman
South America Triangle, 1981
steel and cast iron
168 inches (426,7 cm)
SW 82009
Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Bruce Nauman
South America Circle, 1981
steel, cast iron, and wire
168 inches (426,7 cm)
SW 82008
Collection Dia Art Foundation
Bruce Nauman
Diamond Mind II, 1975
plaster for stone
15 x 15 x 15 inches (38,1 x 38,1 x 38,1 cm) each
SW 76267
Bruce Nauman
Double Steel Cage Piece, 1974
steel
84 x 162 x 198 inches (213,4 x 411,5 x 502,9 cm)
SW 76266
Collection of Museum Boymans-van Beuningen, Rotterdam, the Netherlands
Bruce Nauman
Studies for Holograms (a-e), 1970
portfolio of five screenprints
26 x 26 inches (66 x 66 cm) each sheet
(a) pinched lips, 100/150; (b) pulled lower lip, 42/150; (c) pinched cheeks, 71/150; (d) pulled neck, 1/150; (e) pulled lips, 1/150
SW 19328
Bruce Nauman
Raw-War, 1971
lithograph in colors on Arches
22 1/4 x 28 1/4 inches (56,5 x 71,8 cm)
24 1/4 x 30 inches (61,6 x 76 cm) frame
edition 13/100
SW 04291.13
Bruce Nauman
Malice, 1980
lithograph
29 1/2 x 41 1/4 inches (74,9 x 104,8 cm)
35 x 46 3/4 inches (88,9 x 118,7 cm) frame
edition 44/75
SW 83129.44
Bruce Nauman
Clown Taking a Shit, 1988
lithograph in colors, on Transpagra paper
42 x 30 inches (106,7 x 76,2 cm)
51 1/4 x 39 inches (130 x 99 cm) frame
edition 31/35
SW 95369.31
Bruce Nauman
Frankfurt Portfolio, 1990
offset lithograph
four parts; 19 1/8 x 13 1/4 inches (48,5 x 34 cm) each
30 x 21 3/4 x 1/2 inches (76 x 55,2 x 1,3 cm) each frame
edition 6/35
SW 17340a-d.6
Bruce Nauman
Infrared Outtakes (Cockeye Lips, Neck Pull, Hands Only, Opened Eye), 1968/2006
Epson Ultrachrome K3 inkjet prints
four parts; 19 x 28 inches (48,3 x 71,1 cm) each
22 1/2 x 31 1/2 inches (57,2 x 80 cm) each frame
edition 20/60
SW 06362a-d